However, KREWELLA insists that they are just getting started.“We get pigeonholed into being 'dubstep' a lot, but only one of the tracks on our EP is actually dubstep,” says Kris Trindl aka ‘Rainman,’ beatmaker and one third of KREWELLA. But soon, thanks to a new EP dubbed Play Hard, it may be known for a sound manufactured by one of America’s most exciting new electronic music acts: KREWELLA.Jahan, Yasmine and Rainman, who live in and create music in the gritty yet artsy neighborhood, burst onto the national stage with their debut video “Killin’ It” in early 2012, racking up Facebook likes and spreading virally around the globe via Twitter as EDM fans swooned over KREWELLA’s unique brand of dubstep- infused electronic music with catchy female vocals. BeatportĬhicago’s West Loop was once known as one of the Midwest’s busiest manufacturing corridors.
Club Planet named the "no dress code" club as one of the Top 10 clubs in the US in 2011.Gearing up for 2013, Tittsworth is currently touring and in the studio working on new material featuring Q- Tip, Laidback Luke, and Theophilus London. Official remixesand EPs followed with the likes of Pitbull, Nina Sky, Kid Sister, and Pase Rock.In 2010, Tittsworth helped open a new, premiere home for dance music in America as co-owner of U Street Music Hall in his hometown. Honing his DJ skills at legendary parties like Buzz at Nation, the Chinese-American omnivore quickly progressed to playing major festivals around the world like Elect ron (Geneva) and Shambhala (Canada) while headlining his own t ours in t he U.S., Australia, and Asia.In 2006, Tittsworth established his own record label T&A records with DJ Ayres, a label credited with breaking artists and establishing new musical trends: T&A put out the very first official Moombahton release, including records from scene pioneers Dave Nada and Munchi.Tittsworth's own production skills were highlighted in 2008 with his debut album 12 Steps on Plant Music which was released to critical acclaim by Billboard, DJ Mag, and URB. to create his own unique take on Club music. Breaking out as a local favorite in 2004, DJ Tittsworth drew musical inspiration from his hometown of Washington, D.C. Jesse Tittsworth's one-of-a-kind approach to life and music has been influencing the world of dance music for over a decade. Armed with the talent and tenacity to succeed, Harvard Bass has been cemented as a force to be reckoned with in House, T echno music and beyond. Constant praise pouring in from respected DJs such as Tiga, Richie Hawtin, Boys Noize and Dubfire salutes the burgeoning musical niche that is taking form, with Harvard at the forefront. With the creation of Bump City Records, Harvard Bass is ext ending his brand t o ot her t alent ed producers and ensuring that the scene stays fresh with creative ideas.
“Techyes”, a collaboration with the legendary Green Velvet, harkens back to the glory days of techno while more recent tracks like “Bugged” and “Juicy”, released on Relief Records, incorporate this influence with other elements that come off as retro yet moderns imult ane o us ly.
#THE POWER HOUR AND KKXX RADIO PRO#
This forward-thinking mentality would soon become crucial in the development of the Harvard Bass sound.Ever-evolving since his first remix deal with DJ Orgasmic and Teki Latex’s Sound Pellegrino label, Harvard has become a pro at combining smooth, minimal beats and deep ghetto house grooves with corrosively addicting drum patterns. Driven by a beat he could not ignore, Victor bought his first DJ setup and began mixing songs that were making an impression on him, regardless of genre. At the pivotal age of 16, he would sneak into house and techno clubs in Tijuana to soak in the waves of early inspiration. Raised in a family with a musical taste steeped in rich Mexican cult ure, Vict or Hugo Ramos was born wit h rhythm in his veins.
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